Scott Lynch tackles something in Republic of Thieves that falls flat on its face. Politics. This doesn’t mean the novel fails. It’s actually a wonderful addition to a series that continues to excel with Lynch’s unique voice and kinetic narratives. Where Republic of Thieves falls short, MJ Locke’s Up Against It knocks it out of the park with the best portrayal of authentic politics I’ve found in the speculative genres.
At its roots, Up Against It is an asteroid colony disaster movie. When an accident occurs, destroying precious ice reserves, the entire colony is at risk if they can’t replenish it. Phocaea’s resource manager, Jane, is tasked with making that happen, while keeping the colony’s residents from tearing each other, and the government, apart. Add to that Mars’ mafia trying to move in, a group of teenage kids caught in the middle, a rogue AI coming to life, social structures based on internet popularity, and ubiquitous cameras beaming reality TV back to Earth.… Read the rest
The Winds of Khalakovo, the first installment in Bradley P. Beaulieu’s Lay of Anuskaya series, was raved about on this blog in 2011. I acquired the follow-up, The Straits of Galahesh, several months before it was released in 2012. Unfortunately, the first fifty pages felt impenetrable even after reading them a dozen different times. When Beaulieu announced the upcoming release of the final volume, The Flames of Shadam Khoreh, I committed myself to finishing the second novel in order to read the conclusion. Despite a long, arduous struggle through Straits of Galahesh that never really abated, I’m so pleased to call Flames of Shadam Khoreh a rousing success that exceeds all of the expectations placed on it by Beaulieu’s exceptional debut.
Beaulieu’s third book begins nearly two years after the events of Straits of Galahesh. War has moved from the islands to the mainland, and the Grand Duchy knows its time may be limited.… Read the rest
With Andre Norton’s aged novel Star Guard, Tom Holt’s new novel Doughnut, and Howard Andrew Jones’ Pathfinder tie-in novel Plague of Shadows, I’ve found three authors and books to review that have almost nothing in common. We all have our crosses to bear, do we not?
Andre Norton, a great forerunner (get it? Because she wrote Forerunner.) of science fiction, and considered by many to be the Grande Dame of SF, wrote a novel in 1953 titled Star Guard. It was actually the second novel in a world later dubbed Central Control, in which Terrans, considered to be the ideal mercenaries of the galaxy, are forced to pay for access to the stars with blood. Of course, the two novels in the ‘series’ have almost nothing to do with one another, making the ending of Star Guard unduly incomplete.
Told from the perspective of Kana Karr, a newly enlisted Swordsman sent to an un-extraordinary planet to quell a common rebellion, Norton spins a story that reminds me of legendary marches across hostile territory from the ancient world.… Read the rest
In an effort to “catch up”, I’ve compressed several books into a single post. I hope this will be the last of my omnibus reviewing.
The Kassa Gambit by M.C. Planck – Held back by an ending that doesn’t quite capitalize on the exceptional beginnings, Kassa Gambit remains a very entertaining debut effort. It works best as a narrative of distrust between the two central characters, dealing with one another disingenuously and often convincing themselves of their own paranoia. When the story moves beyond that interplay the plot doesn’t hold up that well, but it’s really not any less fun for it.
Nexus by Ramaz Naam – It’s pretty clear that Naam is attempting to blow his readers’ minds with his idea for nano-virus telepathy. I won’t argue, it is a pretty cool idea, but beyond first blush when it gets into the actual telling of a story, Nexus ends up reading an awful lot like a half dozen other Angry Robot science fiction books I’ve read over the last couple years.… Read the rest
I read a lot of young adult fiction in 2012. This was new for me. Nancy Kress was new to me too, although not remotely new to pretty much everyone else. Her newest novel, Flash Point, is the story of Amy, a teenage reality television star in a not-quite dystopia. Beneath the poverty line, with no means of supporting her sick grandmother and younger sister, Amy has no choice but to put it all on the line on national television.
While the world awaits the flash point that could lead it into economic and sociological ruin, or turn the corner into a new age of prosperity, Amy’s show Who Knows People, Baby — You? catches attention. Seemingly a souped up version of John Quinones’ ABC show What Would You Do? it forces teenagers from different levels of society into uncomfortable and often dangerous situations to elicit a response.… Read the rest
Rumor has it Miles Cameron, author of The Red Knight, is a pseudonym for historical fiction author Christian Cameron. I’ve no idea if it’s true, but it wouldn’t surprise me. Orbit’s new novel has a ring of authenticity that fantasy often eschews, particularly with regards to combat and tactics. It’s also woefully unoriginal, layered with ideas and elements that I’ve seen dozens of times before. In the end, Cameron has written a novel that promises different, but fails to live up to it, instead delivering the same expected narrative that fantasy fans have ‘enjoyed’ for a generation.
Billed as the story of a dragon hunting mercenary, the cover of my advanced copy reads,
“Forget George and the Dragon. Forget fancy knights and daring deeds. Slaying dragons is a bloody business.”
I’m sure it is, except no one slays any dragons in Red Knight. There is a dragon, and it plays a significant role eventually, but there’s decidedly no slaying.… Read the rest
The Desert of Souls, Howard Andrew Jones’ debut novel, and The Bones of the Old Ones, his second novel out this week, should be considered the gold standard on two counts. One, I haven’t read anyone who feels as in control of his first person narrator. Two, no one writing today has a better understanding of what sword and sorcery is and how it should work. While Bones of the Old Ones isn’t quite as inspired as Desert of Souls, something I’ll discuss more in a moment, it remains at the peak of the mountain, something both young and old should read. The former to discover how much grace there is in simplicity. The latter to rediscover the kind of fiction that inspired a generation of fantasists.
In Bones of the Old Ones, Dabir and Asim have a new mystical challenge before them. A young woman shows up in Mosul, running from ancient wizards who would use her to unlock an ancient power.… Read the rest
Raymond Chandler, considered one of the greatest crime writers ever, was not always considered as such. He was once quoted as saying about his critics,
The thing that rather gets me down is that when I write something that is tough and fast and full of mayhem and murder, I get panned for being tough and fast and full of mayhem and murder, and then when I try to tone down a bit and develop the mental and emotional side of a situation, I get panned for leaving out what I was panned for putting in the first time.
I think that quote may bear some relevance to Daniel Polansky when I finish this review.
Attack ships on fire off the shoulder of Orion. I’ve watched c-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.
-Roy, Blade Runner
Fan fiction is a dirty word, isn’t it? It carries with it a connotation of corrupting someone else’s intellectual property. Unfortunately, that connotation tends to ignore homage, an allusion to previous work on which a current project is based. To call Rosa Montero’s Tears in Rain fan fiction is a bit of a stretch. There’s no inclusion of characters from another’s work or a continuation of any particular plot point, but it is, as the quote above indicates, fundamentally based on Blade Runner, the Ridley Scott film sourced from Philip K. Dick’s Do Androids Dream of Electric Sheep? Montero posits a world in which Blade Runner the film existed and also came true.… Read the rest
Ask me what the I think the most impressive work of fantasy is, and I will answer — The Malazan Book of the Fallen. Steven Erikson’s ten novel series is astounding, challenging, interesting, riveting, and it’s often an awful mess. I say that last with a smile on my face. Erikson meanders through points of view, intersects plots, forgets plots, leaves others intentionally dangling, and rarely provides satisfying conclusions. His answer to this charge would be: history’s a mess too. That’s a perspective he embraces like never before in his newest novel, The Forge of Darkness.
I’ve heard Forge of Darkness referenced as a new entry point into Erikson’s work, and a prequel to Malazan. Such classifications are problematic. To begin, it’s quintessential Erikson — not easier to read, or more direct in its approach. There are also seemingly infinite numbers of points of view characters, so many in fact that keeping track of them often requires note taking.… Read the rest